Would you like to leave a message? alli orlistat buy baikal-pharmacy.com He is steeped in world cinema, and has named the Italian Neorealists as key influences alongside the Japanese masters Yasujiro Ozu and Kenji Mizoguchi, and expressionistic animators such as Yuri Norstein and Frédéric Back. His favourite Disney film is not Snow White or The Lion King, but a melancholic 1937 short called The Old Mill, in which woodland creatures scurry and flap through an abandoned windmill. Miyazaki’s own films reflect his taste: he has Norstein’s flair for mythmaking, Back’s sensitivity to nature, Ozu’s feel for family life, Mizoguchi’s compassion for women. (Miyazaki’s most complex characters tend to be headstrong girls between the ages of 5-11.) And like the Neorealists, his stories are always relevant, however far-fetched. On one level, Ponyo (2008) is a bright fairy tale about a goldfish who transforms into a little girl, but deeper down the film is about finding balance between forces that seem all but irreconcilable – nature and industry, passion and responsibility, even love for your family and your soulmate.